FilmReviewsFilmReviewsChestnut review: A forgettable slice-of-life film for the Sally Rooney setStranger Things' Natalia Dyer gives her all to a bisexual love triangle that doesn't quite hit the markByEmma KeatesPublishedJune 20, 2024Comments (2)
FilmReviewsFilmReviewsFancy Dance review: A grounded, quietly devastating take on longstanding injusticesLily Gladstone pairs with director Erica Tremblay to deliver a thoughtful drama about ongoing colonial violence and…ByElijah GonzalezPublishedJune 20, 2024
FilmReviewsFilmReviewsJanet Planet review: Astonishing debut sees mother-daughter relationship in strained orbitPlaywright-turned-filmmaker Annie Baker delivers a sun-soaked portrait of an 11-year-old girl grappling with her…ByNatalia KeoganPublishedJune 19, 2024Comments (13)
FilmReviewsFilmReviewsThelma review: A sweet action comedy that spans the generational divideJune Squibb proves it’s never too late to be the hero of your own storyByCindy WhitePublishedJune 19, 2024Comments (5)
FilmReviewsFilmReviewsThe Bikeriders review: Wannabe outlaw film is a weekend warrior at heartMud director Jeff Nichols gives bikers a Goodfellas epic that's often left spinning its wheelsByMatt SchimkowitzPublishedJune 19, 2024Comments (78)
FilmReviewsFilmReviewsThe Imaginary review: Anime imagines a bright future beyond GhibliThe new animated film from the creators of some of your favorite Studio Ghibli films is a warm-hearted celebration…ByCindy WhitePublishedJune 17, 2024Comments (2)
FilmReviewsFilmReviewsFirebrand review: Alicia Vikander and Jude Law reign over a familiar historical narrativeDirector Karim Aïnouz infuses energy and beauty into the Tudor tale, but the screenplay fails himByMurtada ElfadlPublishedJune 14, 2024Comments (7)
FilmReviewsFilmReviewsTiger Stripes review: Periods and demonic possession converge in declawed horrorWinner of the Gran Prix at Cannes Critics’ Week 2023, Amanda Nell Eu’s derivative feature debutByNatalia KeoganPublishedJune 14, 2024Comments (12)
FilmReviewsFilmReviewsInside Out 2 review: An emotional support movie for those who still have faith in PixarThe Inside Out sequel may be Pixar’s best film in years, but that’s not really saying muchByCindy WhitePublishedJune 13, 2024Comments (101)
FilmReviewsFilmReviewsGhostlight review: Community-minded drama is a small, bespoke gemThrowback movie serves up a redemptive story about the personal roads of grief we all must travelByBrent SimonPublishedJune 13, 2024Comments (12)
FilmReviewsFilmReviewsCora Bora review: Meg Stalter secures her status as the next big thing in a movie that isn'tThe Hacks actor shines in a film that doesn't really offer anything elseByEmma KeatesPublishedJune 12, 2024Comments (7)
FilmReviewsFilmReviews20,000 Species of Bees review: The trans kids are alrightThis Spanish drama examines a transgender child’s self-discovery with empathy and compassionByLeigh MonsonPublishedJune 10, 2024Comments (5)
FilmReviewsFilmReviewsThe Watchers review: Ishana Night Shyamalan's wobbly horror baby stepsThe filmmaker's debut certainly feels like one, even if she's clearly got competent chopsByKatie RifePublishedJune 6, 2024Comments (39)
FilmReviewsFilmReviewsHit Man review: Killer chemistry meets existential examinationRichard Linklater’s sexy film noir-comedy heads to Netflix after a brief theatrical releaseByNatalia KeoganPublishedJune 6, 2024Comments (19)
FilmReviewsFilmReviewsTuesday review: Too much of everything, everywhere, all at onceWhile Julia Louis-Dreyfus going to war against a giant Death Parrot may sound interesting, Tuesday struggles to stay…ByEmma KeatesPublishedJune 5, 2024Comments (19)
FilmReviewsFilmReviewsHandling The Undead review: Moody Norwegian zombie tale is sad, and not much elseWould-be elegy offers neither conventional catharsis nor enough mesmeric insight to justify its sombernessByBrent SimonPublishedJune 5, 2024Comments (3)
FilmReviewsFilmReviewsBad Boys: Ride Or Die review: Middle-aged franchise is still dumb funThe adult boys are still bad and still bloodthirsty, despite now potentially being AARP membersByJesse HassengerPublishedJune 4, 2024Comments (45)
FilmReviewsFilmReviewsI Used To Be Funny review: Rachel Sennott shows off drama chops in predictable dramaThe feature debut from music video director Ally Pankiw is a sober story of sexual assaultByEmma KeatesPublishedJune 4, 2024Comments (9)
FilmReviewsFilmReviewsHow To Rob A Bank review: "Hollywood" thief gets Hollywood doc treatmentOutlaw Scott Scurlock can still seduce audiences and filmmakers years after his deathByLuke Y. ThompsonPublishedJune 4, 2024Comments (2)
FilmReviewsFilmReviewsFlipside review: A poignant self-portrait of a filmmaker's midlife crisisChris Wilcha weaves the loose threads of his abandoned projects into a documentary greater than the sum of its partsByCindy WhitePublishedMay 31, 2024Comments (14)