FeaturesThe blockbuster mediocrity of Despicable Me and its Minions dominate the made-for-iPad formDisney and DreamWorks cower in the face of the modern era's platonic animation-slop idealJesse Hassenger
Spoiler SpaceSpoiler Space: MaXXXine attempts to untangle Mia Goth’s Pearl-sonality crisisMatt Schimkowitz
For Our ConsiderationBefore Longlegs, Oz Perkins' Gretel & Hansel gave us unforgettable fairy tale terrorMatthew Jackson
ReviewsYou already know the Louis C.K. scandal (and lack of consequences) that Sorry/Not Sorry recapsA cursory overview of Louis C.K.'s gross behavior lacks a more insightful thesisBrianna Zigler
ReviewsMythologized artists receive a restrained overview in Made In England: The Films Of Powell & PressburgerIgnatiy Vishnevetsky
ReviewsSing Sing presents a well-acted yet declawed survey of the potential for prison "reform"Natalia Keogan
InterviewsYorgos Lanthimos and Willem Dafoe say Kinds Of Kindness is a funny movie, actuallyDrew Gillis
InterviewsRichard Linklater discusses the cinematic myth of hired guns and channeling “good old '80s sex” in Hit ManNatalia Keogan
InterviewsIn A Violent Nature special effects lead Steven Kostanski on juicing up the killsJacob Oller
Run The SeriesThe blockbuster mediocrity of Despicable Me and its Minions dominate the made-for-iPad formJesse Hassenger
Run The SeriesIndiana Jones turned its pulp hero into an American icon, then had the grace to endJesse Hassenger
ReactionsYoung Woman And The Sea is a winning biopic, so why does it feel like Disney's trying to sink it?Cindy White
Reactions28 years ago the Spider-Man animated series got really weird—thanks to Madame WebSam Barsanti
For Our ConsiderationBefore Longlegs, Oz Perkins' Gretel & Hansel gave us unforgettable fairy tale terrorMatthew Jackson
For Our Consideration35 years later, Weekend At Bernie's jokes have taken on a life of their ownDrew Gillis